"If your pictures aren’t good enough, you’re not close enough"... was his mantra. Capa practically invented the image of the globe-trotting war photographer, with a cigarette appended to the corner of his mouth and cameras slung over his fatigues. His fearlessness awed even his soldier subjects, and between battles he hung out with Hemingway and Steinbeck and usually drank too much, seeming to pull everything off with panache. Capa established a mode and the method of depicting war in these photographs, of the photographer not being an observer but being in the battle, and that became the standard that audiences and editors from then on demanded.
"The discovery has sent shock waves through the photography world, not least because it is hoped that the negatives could settle once and for all a question that has dogged Capa’s legacy: whether what may be his most famous picture — and one of the most famous war photographs of all time — was staged. Known as 'The Falling Soldier,' [image left] it shows a Spanish Republican militiaman reeling backward at what appears to be the instant a bullet strikes his chest or head on a hillside near Córdoba in 1936. When the picture was first published in the French magazine Vu, it created a sensation and helped crystallize support for the Republican cause."
2 comments:
I'd like to think that Phillip Knightley's claims have finally been debunked. This is one of those photographs that I have been fascinated by as long as I can remember. I posted about it on Rupe's blog a long time ago when we both discovered I've actually owned a book with one of her photographs in for nearly thirty years which also features Capa.
Hi Paul, you commented while I was posting about Chavez.
Yes, it's one one 'those' photos that have always stood out. Interesting re that book...I wonder if rupe has any anecdotes or 'disputed images'?
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